Red Alert

Spending taxpayers’s money on The GC…

Posted by on May 19th, 2012

I’ve been watching with interest the vigorous public debate around TV3’s controversial programme The GC.

I managed to watch 10 minutes of the third programme, before I couldn’t stand it any longer and had to switch off. But don’t mind me, fill your boots if you think the GC is your kind of programme. I really don’t mind. I just choose not to watch it.

What I do mind is that it was part paid for by taxpayers money. That NZ on Air forked out $420,000 for  what they describe as an 8 x half hour “observational documentary” following the lives of seven New Zealanders chasing money, fame and sex on the Gold Coast.

After weeks of controversy, NZ On Air today released the proposal for the show , saying it had the aim of showing “positive, confident Maori in prime time on a commercial channel”. Yeah right.

Here is the proposal. Read for yourself whether it actually reflects the show. According to reports today, of the seven young Maori highlighted in the proposal, only one is actually in the show. I can’t verify this as I only managed to watch it for 10 minutes.

Media commentator and journalist Tom Frewen recently raised a number of pertinent questions about NZ on Air’s questionable public funding decisions of which  The GC surely has to be amongst the most questionable.  Not merely for its content, but also the production company it went to,  Black Inc Media Ltd, which is 90%-owned by Eyeworks New Zealand Ltd, a subsidiary of Eyeworks Holding, a giant international television production company based in The Netherlands with global revenue estimated at around $460 million. Known for developing successful “reality tv” formats, Eyeworks has affiliated companies in 17 countries and came to New Zealand after buying local reality TV production company, Touchdown, from Auckland producer Julie Christie for an undisclosed sum in February 2006.

According to Frewen, Black Inc has secured about $3 million in funding from NZ on Air in the last three years, including $420,000 for The G.C. and $104,594 for last month’s Anzac dawn service, broadcast this year on the Maori Television channel, already fully-funded by almost $60 million a year to cover running costs and programme production.

Frewen rightly points out that as well as exposing itself to the perception that New Zealand taxpayers are subsidising international companies making purely commercial entertainment programmes, NZ on Air must explain the loosening of programme genre definitions to allow funding of reality television shows under the pretence that they are factual documentaries.

NZ on Air spending public money on The GC makes an absolute mockery of claims by the National Government and their apologists that its axing of TVNZ 7 is excused because NZ on Air funds public broadcasting.

Nearly 1.5 million New Zealanders watch TVNZ7 every month. It’s a channel which was building in profile and popularity. It is public broadcasting. Claims that the users of You Tube and Apple TV can source such content themselves misses the point that it is a state responsibility to provide New Zealanders, all New Zealanders with easily accessible programmes which have an informative, educational, entertainment value which is not driven by a commercial imperative.

That responsibility is recognised by most nations. Just as is the responsibility to ensure that it has national and regional art galleries, museums, orchestras, ballet, theatres and invests in music, film and documentaries and other pursuits that reflect national culture. It is a fact that New Zealand culture is being steadily eroded by this government.

Arguments that it is the elite which watches and wants public broadcasting are a deliberate attempt to marginalise those who place value on such things and diminish the importance of public broadcasting. In Australia, the UK, Canada, France and even the US, to name a few countries, public broadcasting holds a strong, even central place in the nation’s heart and soul. Not so in New Zealand.

NZ On Air is funded directly by the Crown. This year $130.77 million (excluding GST) was voted to NZ On Air. Of that, $81.61m was supposedly spent funding quality New Zealand television programmes in a variety of genres (including the Platinum Fund); $33 million funding Radio NZ; almost $4 m funding radio services for pacific audiences; $5.6 million for NZ music; $1.8 m for online audiovisual content.

NZ on Air’s funding decisions for television have come under increased scrutiny, particularly since  the period that the prime minister’s electorate chairman, Stephen McElrea, has been on the NZ on Air board and leading a working group specialising in factual programming.

It’s certainly high  time NZ on Air was reviewed. In undertaking that review it should be clear that it’s present contestable funding model is not a substitute for a public broadcaster.

It may well be that the present Broadcasting Minister hasn’t worked that out.

11 Responses to “Spending taxpayers’s money on The GC…”

  1. Jim says:

    Does that 1.5 million figure represent 1.5 million individuals or a cumulative audience of 1.5 million?

  2. ghostwhowalksnz says:

    Not only is the ‘talent’ not that as described in the proposal but the part that says this

    “they live separate lives, except that each week they come together to train at kapa haka….”

    Well of course , the production company has rented an ultra high rise apartment so they can ‘live together’- I suppose that means there is more time for kapa haka

  3. Aimee says:

    Oh gee! That is the most important thing facing NZ at the moment. Great priority Clare!

  4. George says:

    Ten minutes! How could you endure it for that long? Stilted! scripted! It has to be the worst TV show in the world.

  5. ghostwhowalksnz says:

    Aimee, you obviously missed the time the PM did an ‘sit down’ comedy sketch in the back of a ‘limousine’

    Like the police , Key has ‘time on his hands’

  6. Clare, I think people keep missing the point with your blogs on broadcasting. I’ve tried to watch that too, but it’s as painful as Shortland Street, as far as the acting and storylines go. to paint it as a documentary makes a mockery of the word. I accept that David Attenburgh is not everybody’s taste, but those programmes do represent a world that is more fragile than people think, and if the animals go, we go; everything is connected.but anyway the unwillingness to invest in quality programmes is climbing an unstable mountain that stinks, like so many of their policies, politically driven to suit their version of the world. the people I know that go to the Gold coast, only go for a holiday, not sex, fame or anything else. perhaps a series on why a working class family is driven to migrate there permanently would be worth watching.

  7. Clare Curran says:

    @Jim 1.4 million cumulative figure. That’s the only measure there is for TVNZ7 and for Maori TV I think.
    According to AGB Nielsen the 4 weekly cumes for TVNZ 7 this year are as follows:

    For 4 weeks from 22 Jan 1,532,000
    For 4 weeks from 19 Feb 1,448,500
    For 4 weeks from 18 Mar 1,441,600

  8. Mel says:


    Yes, there are lots of important issues facing New Zealanders at the moment. I am sure you are feeling the same unease at Government directions as are many other New Zealanders.

    However before commenting sarcastically, you might have liked to check out what Clare is responsible for in parliament. She is the Labour spokesperson for broadcasting and as such it is her job to discuss these issues.


    Keep up the good work. Everyone I talk to watches TVNZ7. They are all appalled at the Government’s proposals.

  9. Tim G. says:

    @Aimee – if you want to buy into the “we’ve got enough on our plate without having to worry about public broadcasting” meme, that’s fine, but don’t expect the largely intelligent, critical-thinking, and unselfish audience of red alert to go with you on that ride…

    It is typical red herring stuff, that attempts to convince people to put aside their quality of life because, hell (for a change) we have a crisis on our hands!

    Wake up.

  10. al1ens says:

    “don’t expect the largely intelligent, critical-thinking, and unselfish audience of red alert to go with you on that ride…”

    Names and dates or it doesn’t mean anything 😆

  11. Roswell says:

    Never watched The GC, I find the shorts for it bad enough. Am actually horrified to find out that it gets NZ On Air funding.

    I also question the funding for New Zealand’s Got Talent. I can’t even begin to think how much was paid by tax payers in copyrights. I know I won’t be watching it I think I have some paint that I need to watch dry or some grass to watch grow.

    I am a big fan of TV7 and have found it has had some very good docos on.

    Oh BTW what ever happened to Ben Lummis? I know they did a follow up on Michael Murphy (season 2 winner) and he was back working as a stop/go guy. New Zealand Idol was another programme funded by NZ On Air just copying overseas trends and was a waste of time, money and air space.