There appears to be an on-going vendetta against workers in New Zealand’s entertainment industry.
Sure, the NActs are happy to line up beside local artists at events like the Rugby World Cup, but their actions are spelling doom for many of our most talented.
First, there was the decree from on high that all NZ entertainment workers are “contractors” and have no right to challenge their status under New Zealand law. There was the shameful spectacle of our government depriving New Zealand workers of rights in order to bow to Warners and Co., along with the ugly denunciation of anyone who dared speak out against this move as “hobbit-haters”.
Now, Immigration Minister Jonathan Coleman has announced that New Zealand has cleared the way for overseas actors and musicians to come here whenever they feel like it, even if it’s at the expense of New Zealand entertainment workers. His policy changes mean that those representing actors, musicians and other entertainment workers no longer have to be consulted when overseas acts want to come here. Understandably, the Screen Directors Guild of NZ is expressing concern about the implications of the moves to alter the process for the entry of temporary entertainment industry workers into New Zealand. They say it is potentially damaging to the local screen and entertainment industries.
My old union, the Musicians’ Union did its best to promote New Zealand music, but they never stood in the way of overseas performances unless it meant New Zealand musos would be disadvantaged. It was their job to stand up for New Zealand talent and they did it responsibly.
Labour’s spokesperson for Immigration, Ruth Dyson, and Arts and Culture spokesperson Steve Chadwick say the change could mean that roles in local productions could be filled with overseas performers and that these pressures, along with strife in Public Broadcasting and local playhouses, such as Downstage, put at risk many New Zealand careers.
John Key’s justification for changing the laws around the Hobbit was to protect New Zealand jobs, yet his Minister of Immigration has opened the door for all and sundry.
Our proud record of cultivating NZ identity through the Arts, fostered under the leadership of Helen Clark, is faltering.
Who hates who now?